When I first listened to Andrew Bird’s latest LP, Noble Beast, I was vaguely pleased, but more than a little confused. 

Noble Beast, released on January 22^nd, is without a doubt a very dynamic album. Whether that is a good thing or, well, too much of a good thing is debatable.  While at least 3 of the tracks stood out immediately, with intriguing instrumentals, catchy beats and engaging melodies, many others left me feeling puzzled and disconnected from Mr. Bird.  After two run-throughs, however, I was able to reconcile these irregularities quite easily. Noble Beast, on close inspection, is truly an excellent album.

Perhaps the first thing I noticed about the album was the lyrics.  Though Andrew Bird’s lyrics have always been rather strange, Bird seems to bring on a new dimension of bizarre on Noble Beast. Unlike those of the past, these lyrics do not seem very clever or funny, which is, I will admit, disappointing. However, as the album progressed, I came to realize that while Noble Beast is not very lyrically focused, it is very mood-oriented—something different for Bird, but pleasantly so.

The first track off the record, “Oh No,” is smooth and likeable, and very reminiscent of Bird’s earlier works. The only major difference (one that recurs throughout the album) is the lovely addition of hand claps.  “Effigy” is another wonderful track. It begins with digitally-effected violin plucks and slurs and moves into a beautiful, slow, country-like ballad.

The next stand-out track is number five, “Tenuousness.” The folky, arpeggiated guitar chords fit extremely well with the violin accents and soft shaker sounds in the background. Bird’s oft-praised whistling also makes an appearance.

“Not A Robot, But A Ghost” is an extreme departure from any of the older Andrew Bird, but, in my opinion, one of his greatest songs. “Not a Robot” features weird, tinny percussion that is reminiscent of Electric President, as well as ambient overtones and drawling, repetitive vocals evoking Radiohead.

My true favorite on the album—the one that separates the beasts from the critters, if you will—is the beautiful and vibrant “Anoanimal.” Both playful and melancholy, “Anoanimal” tells the sweet story of an underwater creature who sees himself as “a non animal” or “Anonanimal.” Perhaps the greatest thing about this song, though, is the breakdown about halfway through, which is both unexpected and beautifully introduced.

The album ends with “On Ho!” (yes, it’s “Oh No” backwards), a short and sweet string instrumental that leaves the listener with a heavy, pensive feeling. After hearing “On Ho!” you'll probably want to listen to the entire album over again.

So. Noble Beast. Different from the old Andrew Bird we know and love? Yeah, in some respects. But still good? Most definitely.

4/5 Wooves