| 1 |
Sound collage |
sound collage |
sound collage |
8 |
| 2 |
Godspeed You! Black Emperor |
The Dead Flag Blues |
F♯ A♯ ∞ |
7 |
| 2 |
Laurie Anderson |
Dark Time in the Revolution |
Homeland |
7 |
| 4 |
Max Richter |
The Twins (prague) |
Memoryhouse |
5 |
| 4 |
Ronald Perera |
Alternate Routes |
International Electronic Music |
5 |
| 6 |
Fuck Buttons |
Phantom Limb |
Tarot Sport |
4 |
| 6 |
Einsturzende Neubauten |
Pelikanol |
Silence is Sexy |
4 |
| 6 |
Max Richter |
Journey 1 |
Infra |
4 |
| 6 |
Nobukazu Takemura |
sign |
sign |
4 |
| 6 |
Max Richter |
embers |
Memoryhouse |
4 |
| 6 |
Le Tigre |
Get off the Internet |
From the Desk of Mr Lady |
4 |
| 6 |
Maurice Kagel |
Transition 1 |
Panorama Electronique |
4 |
| 6 |
Ilhan Mimaroglu |
Immolation Scene |
Musiques Noires |
4 |
| 14 |
Christian Marclay and Otomo Yoshide |
sliced and diced |
Moving Parts |
3 |
| 14 |
Christian Marclay and Otomo Yoshide |
Lucky Seven |
Moving Parts |
3 |
| 14 |
Ruth White |
Litanies of Satan |
Flowers of Evil |
3 |
| 14 |
Ilhan Mimaroglu |
The Offering |
Musiques Noires |
3 |
| 14 |
Hauschka |
Iron Shoes |
Foreign Landscapes |
3 |
| 14 |
Negativland |
Escape from Noise |
Escape From Noise |
3 |
| 14 |
Vladamir Ussachevsky |
Sonic Contours |
Pioneers of Electronic Music |
3 |
| 14 |
Evan Ziporyn |
What She Saw There |
Animal Act |
3 |
| 14 |
Black Dice |
Gore |
Load Blown |
3 |
| 14 |
Phil Kline |
Premonition |
Glow in the Dark |
3 |
| 14 |
Maggie Payne |
Lunar Dusk |
Lovely Little Records Sampler |
3 |
| 14 |
The Gits |
While You're Twisting, I'm Still Breathing |
Frenching the Bully |
3 |
| 14 |
Ken Valitsky |
Meaning - Less |
New York Guitars |
3 |
| 14 |
Barry Vercoe |
Synapse For Viola and Computer |
Computer Generations |
3 |
| 14 |
Max Richter |
Infra 6 |
Infra |
3 |
| 14 |
Keith Fullerton Whitman |
modena |
Playthroughs |
3 |
| 14 |
Do Make Say Think |
Herstory of Glory |
You, You're a History in Rust |
3 |
| 14 |
Lightning Bolt |
Colossus |
Earthly Delights |
3 |
| 14 |
Glenn Branca |
Lesson No 3 (Tribute to Steve Reich) |
The Ascension: The Sequel |
3 |
| 14 |
Keith Fullerton Whitman |
Feedback Zwei |
Playthroughs |
3 |
| 14 |
Venetian Snares |
Miss Balaton |
Detrimentalist |
3 |
| 14 |
Konrad Boehmer |
Aspekt |
An Anthology of Noise and Electronic Music, Vol 1 |
3 |
| 36 |
Phil Kline |
Chant |
Glow in the Dark |
2 |
| 36 |
Bengt Emil Johnson |
Disappearances |
International Electronics |
2 |
| 36 |
Conlon Nancarrow |
Toccata for Violin and Player Piano |
Sonic Rebellion |
2 |
| 36 |
Neil B Rolnick |
Real Time |
A La Mode/Real Time |
2 |
| 36 |
Keith Fullerton Whitman |
Fib01a |
Playthroughs |
2 |
| 36 |
John Bischoff |
Silhouette |
Lovely Little Records Box Set |
2 |
| 36 |
Rhys Chatham |
Part 2 |
A Crimson Grail |
2 |
| 36 |
Public Image Limited |
Rise |
Album |
2 |
| 36 |
Violent Femmes |
I'm Nothing |
New Times |
2 |
| 36 |
Cabaret Voltaire |
Thank You America |
Code |
2 |
| 36 |
Spiral Joy Band |
Ridgeline Currents |
Little Sparrow |
2 |
| 36 |
Max Richter |
Infra 1 |
Infra |
2 |
| 36 |
Allan Bryant |
Space Guitars |
Space Guitars |
2 |
| 36 |
Steve Reich |
Sextet |
Sextet and Six Marimbas |
2 |
| 36 |
Cex |
Cal and Brady Style |
Starship Galactica |
2 |
| 36 |
Barton McLean |
Song of the Nahuatl |
The McLean Mix and The Golden Age of Electronic Music |
2 |
| 36 |
Nadja |
mutagen |
touched |
2 |
| 36 |
Daniel Menche |
CD1 Track 01 |
Concussions |
2 |
| 36 |
Laurie Anderson |
Transitory Life |
Homeland |
2 |
| 36 |
Glenn Branca |
Lost Chords |
The Ascension: The Sequel |
2 |
| 36 |
The Two Funerals |
We're Still Alive |
Tell Yr Story 7" |
2 |
| 36 |
Grails |
Burden of Hope |
Burden of Hope |
2 |
| 36 |
John Zorn |
Untitled |
Madness, Love, and Mysticism |
2 |
| 36 |
Eve Beglarian |
Landscaping for Privacy |
Emergency Music |
2 |
| 36 |
Brian McBride |
Supposed Essay on the Piano (B major piano Adagietto) |
The Effective Disconnect |
2 |
| 36 |
Paul Lansky |
Six Fantasies on a poem by Thomas Campion |
Computer Directions |
2 |
| 36 |
Blink |
We Disappear |
The Epidemic of Ideas |
2 |
| 36 |
Dillinger Escape Plan |
43% Burnt |
Calculating Infinity |
2 |
| 36 |
Neptune |
Grey Shallows |
Gong Lake |
2 |
| 36 |
Impractical Cockpit |
Dirty Knives |
Poverty is Violence/Adopt a Mindfield |
2 |
| 36 |
Priscilla McLean |
Night Images |
The McLean Mix and The Golden Age of Electronic Music |
2 |
| 36 |
Negativland |
Ain't No Baby |
Deathsentences of the Polished and Structurally Weak |
2 |
| 36 |
Brian McBride |
Toil Theme |
The Effective Disconnect |
2 |
| 36 |
Ragnar Grippe |
Musique Douze |
International Electronic Music |
2 |
| 36 |
Mekons |
Teeth |
Punk Rock |
2 |
| 36 |
Couch |
Doch endlich |
Profane |
2 |
| 36 |
Pelican |
Drought |
Australasia |
2 |
| 36 |
Os Mutantes |
Panis Et Circenses |
Everything is Possible |
2 |
| 36 |
Dillinger Escape Plan |
Weekend Sex Change |
Calculating Infinity |
2 |
| 36 |
Aemae |
Walking Along Edges |
The Helical World |
2 |
| 36 |
Glenn Branca |
The Blood |
The Ascension: The Sequel |
2 |
| 36 |
Christian Marclay |
Black Stucco |
Imaginary Landscapes |
2 |
| 36 |
Johnny Greenwood |
Grasslands, Wind, Woods |
Norwegian Wood OST |
2 |
| 36 |
Priscilla McLean |
Dance of Dawn |
The McLean Mix and The Golden Age of Electronic Music |
2 |
| 36 |
Glen Branca |
Symphony #8 1st Movement (excerpt) |
Selections from the Symphonies (for electric guitars) |
2 |
| 36 |
Ladytron |
Ghosts |
Velocifero |
2 |
| 36 |
Pamela Z |
Caught |
Emergency Music |
2 |
| 36 |
Edgard Varese |
Interpolations from Deserts |
The Varese Record |
2 |
| 36 |
Lungfish |
You are the War |
Feral Hymns |
2 |
| 36 |
The Boredoms |
Anarchy in the UKK |
Chocolate Synthesizer |
2 |
| 36 |
Ico Bukvic |
Interview |
Interview |
2 |
| 36 |
Bratmobile |
You're Fired |
Ladies, Women, and Girls |
2 |
| 36 |
James Plotkin and Brent Gutzeit |
Wires |
Mosquito Dream |
2 |
| 36 |
Joel Gressel |
Cold Fusion II |
Computer Music of Joel Gressel |
2 |
| 36 |
Judy Dunaway |
Blown Uncut |
Balloon Music |
2 |
| 36 |
The Birthday Party |
Several Sins |
Junk Yard |
2 |
| 36 |
Dominic Frasca plays a composition by Steve Reich |
Electric Guitar Phase |
Triple Quartet |
2 |
| 36 |
Alice Shields |
Farewell to a Hill |
Columbia-Princeton Electronic Music Center |
2 |
| 36 |
Sekar Jaya plays a composition by Michael Tenzer |
Banyuari |
American Works for Balinese Gamelan Orchestra |
2 |
| 36 |
Mouse on Mars |
Auto Orchestra |
Instrumentals |
2 |
| 36 |
Godspeed You! Black Emperor |
Storm (Lift Yr. Skinny Fists, Like Antennas to Heaven... / Gathering Storm / Il Pleut À Mourir [+Clatters Like Worry] / "Welcome to Barco AM/PM..." [L.A.X.; 5/14/00] / Cancer Towers on Holy Road Hi-Way) |
Lift Yr. Skinny Fists Like Antennas to Heaven! |
2 |
| 36 |
The Tuss |
Synthacon 9 |
Rushup Edge |
2 |
| 36 |
Ilhan Mimaroglu |
Still Life 1980 |
Musiques Noires |
2 |
| 36 |
Lungfish |
All Creation Bows |
Feral Hymns |
2 |
| 36 |
Hanneke Provily plays a composition by Ezra Sims |
Flight |
The Microtonal Music of Ezra Sims |
2 |
| 36 |
Barton McLean |
Etunytude |
The McLean Mix and The Golden Age of Electronic Music |
2 |
| 36 |
Bang on a Can and Don Byron |
Eugene |
Bang on a Can and Don Byron |
2 |
| 36 |
Paper Crocodiles |
Moonshiner |
Paper Crocodiles |
2 |
| 36 |
Boredoms |
Seadrum |
Seadrum/House of Sun |
2 |
| 36 |
Rafael Anton Irisarri |
Moments Descend on my Windowpane |
SMM Context |
2 |
| 36 |
Mastodon |
Iron Tusk |
Leviathan |
2 |
| 36 |
The Slits |
Earthbeat |
Return of the Giant Slits |
2 |
| 36 |
The Visitations |
The Conundrum Tree |
The Conundrum Tree |
2 |
| 36 |
Explosions in the Sky |
Be Comfortable, Creature |
Take Care, Take Care, Take Care |
2 |
| 36 |
Hauschka |
Subconscious |
Salon des Amateurs |
2 |
| 36 |
Edgard Varese |
Interpolations |
The Varese Record |
2 |
| 36 |
Spectrum music ensemble led by Guy Protheroe playing a composition by Michael Gordon |
Acid Rain |
Big Noise from Nicaragua |
2 |
| 36 |
Pril Smiley |
Eclipse |
Columbia-Princeton Electronic Music Center |
2 |
| 36 |
The Places |
The Projectionist |
The AUtopilot Knows You Best |
2 |
| 36 |
Flakmask |
these landscaping enhancements |
these landscaping enhancements |
2 |
| 36 |
Main |
Corona |
Hz |
2 |
| 36 |
Judy Dunaway |
Piece for Solo Tenor Balloon |
Balloon Music |
2 |
| 36 |
Merzbow |
Snowblind |
the Japanese/ American Noise Treaty |
2 |
| 36 |
Red Sparrowes |
As Each End Looms and Subsides |
The Fear is Excruciating, But Therein Lies the Answer |
2 |
| 36 |
John Zorn |
Le Momo |
Madness, Love, and Mysticism |
2 |
| 36 |
Joanna Newsom |
Easy |
Have One On Me |
2 |
| 36 |
Mission of Burma |
The Setup |
ONoffON |
2 |
| 36 |
Daniel Menche |
CD1 Track 06 |
Concussions |
2 |
| 36 |
Bikini Kill |
Reject all American |
Reject all American |
2 |
| 36 |
Priscilla McLean |
Invisible Chariots |
The McLean Mix and The Golden Age of Electronic Music |
2 |
| 36 |
Upsilon Acrux |
Landscape With Gun and Chandelier |
Radian Futura |
2 |
| 36 |
Max Richter |
Journey 4 |
Infra |
2 |
| 36 |
George Harrison |
Under the mersey Wall |
Electronic Sound |
2 |
| 36 |
Nick Didkovsky |
Ganthia and Kyohan |
Emergency Music Collection |
2 |
| 36 |
Social Studies |
Don't Believe the Hype |
Social Studies |
2 |
| 36 |
Maggie Payne |
Lunar Earthrise |
Lovely Little Records Sampler |
2 |
| 36 |
Judy Dunaway |
Fifty 210 |
New York Guitars |
2 |
| 36 |
Max Richter |
infra 1 |
infra |
2 |
| 36 |
Dora Ohrenstein |
Dish |
Urban Diva |
2 |
| 36 |
Matmos |
Rainbow Flag |
Supreme Balloon |
2 |
| 36 |
Theodore Mook plays a composition by Ezra Sims |
Solo in Four Movements |
The Microtonal Music of Ezra Sims |
2 |
| 36 |
Max Richter |
Europe, After the Rain |
Memoryhouse |
2 |
| 36 |
Godspeed You! Black Emperor |
Moya |
Slow Riot for New Zero Kanada |
2 |
| 36 |
Dearraindrop |
Bubblegum Phoenix |
Bubblegum Phoenix |
2 |
| 36 |
Bengt Emil Johnson |
Disappearances |
International Electronic Music |
2 |
| 36 |
Ilhan Mimaroglu |
Wings of the Delirious Demon |
Criminal Record |
2 |
| 36 |
Pat Metheney plays a composition by Steve Reich |
Electric Counterpoint |
Different Trains/Electric Counterpoint |
2 |
| 36 |
Soegaard Ensemble |
Histonic Hysteria I |
Soundmapping the Genes |
2 |
| 36 |
Pansy Division |
Reciprocate |
Deflowered |
2 |
| 36 |
Agent Orange |
Living In Darkness |
Living In Darkness |
2 |
| 36 |
Brian McBride |
Girl Nap |
The Effective Disconnect |
2 |
| 36 |
james Plotkin/ Brent Gutzeit |
wires |
mosquito dream |
2 |
| 36 |
Squarepusher |
Chin Hippy |
Hard Normal Daddy |
2 |
| 36 |
Victoria Jordanova |
Call 330-CURB |
Emergency Music |
2 |
| 36 |
Growing |
Rave Pie Only |
All The Way |
2 |
| 36 |
Mark Degliantoni |
Mit Starken Schlagen Streckt Ich Dich |
Rough Assemblage |
2 |
| 36 |
Bad Brains |
Secret 77 |
I Against i |
2 |
| 36 |
MISSION OF BURMA |
WOUNDED WORLD |
ONOFFON |
2 |
| 36 |
Henry Brant |
Western Springs |
Western Springs |
2 |
| 36 |
Can |
Paperhouse |
Tago Mago |
2 |
| 36 |
Neptune |
Copper Green |
Gong Lake |
2 |
| 36 |
Einsturzende Neubauten |
Die Interimslieben |
Tabula Rasa |
2 |
| 36 |
Pauline Oliveros |
Poem of Change |
Lesbian American Composers |
2 |
| 36 |
Fuck Buttons |
Okay, Let's Talk about Magic |
Street Horrrsing |
2 |
| 36 |
7 Year Bitch |
M.I.A. |
Viva Zapata |
2 |
| 36 |
Hauschka |
Snow |
Foreign Landscapes |
2 |
| 36 |
Eric Qin |
Construction Et Demolition |
Rough Assemblage Construction and demolition |
2 |
| 36 |
Maserati |
Oaxaca |
Pyramid of the Sun |
2 |
| 36 |
Dustin O'Halloran |
Opus 43 |
Lumiere |
2 |
| 36 |
Judy Dunaway |
Everybody Loves Somebody Sometime |
Balloon Music |
2 |
| 36 |
Reading Rainbow |
In the Forest |
Demo |
2 |
| 36 |
James Plotkin/ Brent Gutzeit |
cloud cover |
Mosquito Dream |
2 |
| 36 |
Fuck Buttons |
Surf Solar |
Tarot Sport |
2 |
| 36 |
Melt Banana |
Iguana in Trouble |
Scratch or Stitch |
2 |
| 36 |
Christian Marclay and Otomo Yoshide |
Derailment |
Moving Parts |
2 |
| 36 |
Soft Machine |
Facelift |
Backwards |
2 |
| 36 |
Gang Gang Dance |
Before My Voice Fails |
God's Money |
2 |
| 36 |
James Plotkin and Mick Harris |
Collision |
Collapse |
2 |
| 36 |
Ruth White plays a composition by Albeniz |
Asturias |
Short Circuits |
2 |
| 36 |
Ghost |
Water Door Yellow Gate |
In Stormy Nights |
2 |
| 176 |
Sun Ra |
Sun Song |
Sun Song |
1 |
| 176 |
Architecture in Helsinki |
Debbie |
Places Like This |
1 |
| 176 |
Tortoise |
On The Chin |
It's All Around You |
1 |
| 176 |
Isotope 217 |
La Jetee |
the Unstable Molecule |
1 |
| 176 |
Sonic Youth |
Teenage Riot |
Daydream Nation |
1 |
| 176 |
Richard Devine |
Sigstop |
Cautella |
1 |
| 176 |
Ezra Sims |
Flight |
The Microtonal Music of Ezra Sims |
1 |
| 176 |
Lord of the Yum Yum |
Offenbach's Can Can |
Yum Musique |
1 |
| 176 |
Brian Wilson |
Good Vibrations |
Smile |
1 |
| 176 |
Bad Brains |
I Against I |
I Against I |
1 |
| 176 |
Q and Not U |
X-Polynation |
Power |
1 |
| 176 |
Russian Circles |
Death Rides a Horse |
Enter |
1 |
| 176 |
Mission of Burma |
Spider's Web |
The Obliterati |
1 |
| 176 |
Calexico |
Panic Open String |
Garden Ruin |
1 |
| 176 |
War |
The World Is A Ghetto |
The World Is A Ghetto |
1 |
| 176 |
Fever Dreams |
Words and Music by Bill Hicks |
Words and Music |
1 |
| 176 |
Wendy Carlos plays a composition by JS Bach |
Brandenburg Concerto #4 in G |
The Well-Tempered Synthesizer |
1 |
| 176 |
Squarepusher |
Iambic 9 Poetry |
Ultravisitor |
1 |
| 176 |
Laurie Anderson |
Another Day in America |
Homeland |
1 |
| 176 |
The Books |
I Am Who I Am |
The Way Out |
1 |
| 176 |
Best Coast |
When the Sun Don't Shine |
Crazy for You |
1 |
| 176 |
Tortoise |
It's All Around You |
It's All Around You |
1 |
| 176 |
Nina Hagen |
Flying Saucers |
Fearless |
1 |
| 176 |
Dead Milkmen |
Watching Scotty Die |
Bucky Fellini |
1 |
| 176 |
Old Crow Medicine Show |
Methamphetamine |
Tennessee Pusher |
1 |
| 176 |
Rhys Chatham |
Die Donnergotter |
Die Donnergotter |
1 |
| 176 |
Jeff Buckley |
Hallelujah |
Grace |
1 |
| 176 |
Austra |
Spellwork |
Feel It Break |
1 |
| 176 |
Battles |
DANCE |
B EP |
1 |
| 176 |
Neutral Milk Hotel |
Oh Comely |
In the Aeroplane Over the Sea |
1 |
| 176 |
Cat Power |
Troubled Waters |
The Covers Record |
1 |
| 176 |
Barbara Martin, soprano and the Contemporary Chamber Ensmble with Arthur Weisberg conducting play a composition by Chinary Ung |
Mohori |
Hodkinson, Heiss, Ung |
1 |
| 176 |
Knotted Cord |
Balance Operation |
Moth Shaped Flame EP |
1 |
| 176 |
Vladamir Ussachevsky |
Dialogs and Contrasts |
Colloquy and Dialogs and Contrasts |
1 |
| 176 |
The Nation of Ulysses |
Atom Bomb |
13-Point Program to Destroy America |
1 |
| 176 |
Hermit Thrushes |
Benaki |
Benaki |
1 |
| 176 |
Charles Dodge |
The Story of Our Lives |
Synthesized Speech Music of Charles Dodge |
1 |
| 176 |
Barry Vercoe |
Synapse for Viola and Computer |
American Contemporary Computer Generations |
1 |
| 176 |
Ilhan Mimaroglu |
Three Pieces for Piano |
Musiques Noires |
1 |
| 176 |
Pril Smiley |
Eclipse |
Columbia Princeton Electronic Music Center |
1 |
| 176 |
Kenneth Gaburo |
Lemon Drops |
Electronic Pioneers |
1 |
| 176 |
Milton Babbitt |
Paraphrases |
Parnassus |
1 |
| 176 |
Paul Lansky, voice of Hannah MacKay |
Six Fantasies on a Poem by Thomas Campion: her ritual |
Computer Directions |
1 |
| 176 |
Escape Mechanism |
Details |
Emphasis Added |
1 |
| 176 |
The New World Ensemble with Eltore Stratta conducting |
Also Spake Zarathustra |
Hooked on Classics 3 |
1 |
| 176 |
Royal Philharmonic Orchestra with Louis Clark conducting |
Hooked on Bach |
Hooked on Classics |
1 |
| 176 |
Wendy Carlos plays a composition by JS Bach |
Brandenburg Concertos #1 in F |
Switched-on Brandenburgs |
1 |
| 176 |
The Ventures |
Bach's Prelude |
The Ventures play the classics |
1 |
| 176 |
Walter Murphy |
A Fifth of Beethoven |
Saturday Night Fever Soundtrack |
1 |
| 176 |
Polysics |
Disorder |
Neu |
1 |
| 176 |
The New World Ensemble with Eltore Stratta conducting |
Journey Through the Classics, Part 2 |
Hooked on Classics 3 |
1 |
| 176 |
The Boredoms |
House of Sun |
Seadrum/House of Sun |
1 |
| 176 |
The New World Ensemble |
Hooke on a Fugue |
Hooked on Classics 4 |
1 |
| 176 |
Wendy Carlos plays a composition by JS Bach |
Prelude and Fugue in E Flat Major from the Well-Tempered Clavier |
Switched-on Bach |
1 |
| 176 |
Royal Philharmonic Orchestra with Louis Clark conducting |
Hooked on Baroque |
Hooked on Classics 2 |
1 |
| 176 |
Wendy Carlos plays a composition by JS Bach |
Sheep May Safely Graze |
Switched-on Bach II |
1 |
| 176 |
The New World Ensemble |
Hooked on Baroque 2 (Reprise) |
Hooked on Classics 4 |
1 |
| 176 |
Ruth White plays a composition by Scarlatti |
Tempo di ballo |
Short Circuits |
1 |
| 176 |
Wendy Carlos plays a composition by Scarlatti |
Sonata in D Major |
Well-Tempered Synthesizer |
1 |
| 176 |
Daniel Bernard Roumain with Phillip Glass |
Metamorphosis |
etudes 4 violin & electronix |
1 |
| 176 |
Royal Philharmonic Orchestra with Louis Clark conducting |
Can't Stop the Classics |
Hooked on Classics 2 |
1 |
| 176 |
Ruth White plays a composition by Satie |
Gymnopedia |
Short Circuits |
1 |
| 176 |
Lord of the Yum Yum |
Bizet's Overture to Carmen |
Yum Musique |
1 |
| 176 |
Pat Metheny plays a composition by Steve Reich |
Electric Counterpoint |
Different Trains/Electric Counterpoint |
1 |
| 176 |
Toumani Diabate |
Djelika |
Djelika |
1 |
| 176 |
Charles Abramovie and James Freeman play a composition by Gerald Levinson |
Morning Star |
Music of Gerald Levinson |
1 |
| 176 |
Kraftwerk |
Trans Europe Express |
Trans Europe Express |
1 |
| 176 |
My Bloody Valentine |
I Only Said |
Loveless |
1 |
| 176 |
Angus MacLise, Tony Conrad, and John Cale |
Trance #2 |
An Anthology of Noise and Electronic Music, Vol 1 |
1 |
| 176 |
Can |
Paperhouse |
Tago Mago |
1 |
| 176 |
Toru Takemitsu |
Viola Concerto: A String Around Autumn |
Takemitsu: Viola Concerto, November Steps, Eclipse |
1 |
| 176 |
Ben Johnston |
Gambit |
Ponder Nothing: Chamber Music of Ben Johnston |
1 |
| 176 |
Laurie Anderson |
From the Air |
Big Science |
1 |
| 176 |
Harry Partch |
Water! Water! An Intermission with Prologues and Epilogues |
The Hary Partch Collection, Volume 3 |
1 |
| 176 |
Harry Partch |
Rotate the Body in All Its Parts: Ballad for Gymnasts |
The Hary Partch Collection, Volume 3 |
1 |