|
|
Throbbing Grostle |
AB/7A |
The Third and Final Report of Throbbing Gristle |
|
|
|
|
Manitoba |
I've Lived On A Dirt Road All My Life |
Up in Flames |
|
|
|
|
Talk Talk |
After the Flood |
Laughing Stock |
|
|
|
|
Atlas Sound |
Terra Incognita |
Parallax |
|
|
|
|
Jim O'Rourke |
94 The Long Way |
Bad Timing |
|
|
|
|
Ghost |
Snuffbox Immanence |
Snuffbox Immanence |
|
|
|
|
Califone |
Michigan Girls |
Quicksand/Cradlesnakes |
|
|
|
|
Arvo Pärt |
An den Wassern zu Babel |
Arbos |
|
|
|
|
The Mountain Goats |
1 Samuel 15:23 |
The Life of The World To Come |
|
|
|
|
Dntel |
(This is) The Dream of Evan and Chan |
Life is Full of Possibilities |
|
|
|
|
Bill Callahan |
One Fine Morning |
Apocalypse |
|
|
|
|
Bill Callahan |
Drover |
Apocalypse |
|
|
|
|
Mirah |
Nobody Has to Stay |
C'mon Miracle |
|
|
|
|
Brian Eno |
Small Craft on a Milk Sea |
Small Craft on a Milk Sea |
|
|
|
|
My Morning Jacket |
I Will Sing You Songs |
Oknonokos |
|
|
|
|
Deerhunter |
Earthquake |
Halcyon Digest |
|
|
|
|
David Bowie |
Warzawa |
Low |
|
|
|
|
Oneohtrix Point Never |
Replica |
Replica |
|
|
|
|
Liars |
The Other Side of Mt. Heart Attack |
Drums not Dead |
|
|
|
|
Avett Brothers |
Find My Love |
The Gleam |
|
|
|
|
The Decemberists |
The Crane Wife 1 & 2 |
The Crane Wife |
|
|
|
|
Eyvind Kang |
Innocent Eye, Crystal See |
Virginal Co Ordinates |
|
|
|
|
Hot Chip |
One Life Stand |
One Life Stand |
|
|
|
|
Four Tet |
My Angel Rocks Back and Forth |
Rounds |
|
|
|
|
Jim O'Rourke |
Prelude 10110 or 220/Women of the World |
Eureka |
|
|
|
|
Phillip Glass |
Closing |
Glassworks |
|
|
|
|
Sonic Youth |
Antenna |
The Eternal |
|
|
|
|
Sufjan Stevens |
Out of Egypt, Into the Great Laugh of Mankind, and I Shake the Dirt From My Sandals as I Run |
Illinois |
|
|
|
|
Claude Debussy |
Prelude a L'apres Midi d'un Faune |
Anthology of the Royal Concertgebouw Orchestra |
|
|
|
|
John Adams |
Pianola Music 3rd Movement: On the Dominant Divide |
Pianola Music |
|
|
|
|
Steve Reich |
Tokyo/Vermont Counterpoint |
Steve Reich: Eight Lines/Vermont Counterpoint |
|
|
